{"id":767,"date":"2018-01-14T15:10:18","date_gmt":"2018-01-14T20:10:18","guid":{"rendered":"http:\/\/sewerlid.com\/?p=767"},"modified":"2018-01-14T15:10:18","modified_gmt":"2018-01-14T20:10:18","slug":"two-poems-by-degan-davis","status":"publish","type":"post","link":"https:\/\/sewerlid.com\/index.php\/2018\/01\/14\/two-poems-by-degan-davis\/","title":{"rendered":"Two Poems by Degan Davis"},"content":{"rendered":"<h1>Edward Snowden watches the corner of his monitor<\/h1>\n<p>and the opaque square<br \/>\nin the top right flickers, a live<\/p>\n<p>stamp of inky blackness<br \/>\nthat reminds him of the ultrasound video<\/p>\n<p>\u2014good god\u2014of his sister\u2019s\u2026that cone of dark,<br \/>\nthe sudden milky appearance of his niece<\/p>\n<p>(a girl, they were convinced) her arm<br \/>\nso thin he touched his own as if in<\/p>\n<p>allegiance. And as the scattered<br \/>\nsatellite signal reconstitutes itself,<\/p>\n<p>the Swat valley unfolds<br \/>\nunder the slick eye<\/p>\n<p>of the MQ-9 Reaper, unleashing a laser-guided<br \/>\nHellfire missile toward Koza Drushkhela.<\/p>\n<p>The camera eye trembles from the blast below<br \/>\nbut doesn\u2019t shut off. Most of these<\/p>\n<p>feeds were running last week<br \/>\nwhen he checked Etsy for the baby shower<\/p>\n<p>(yellow onesies, slings, a receiving blanket)<br \/>\nrevealing what the Agency calls <em>collateral damage<\/em> bombing,<\/p>\n<p>meaning <em>the dissolution of uninteresting<br \/>\nor unthreatening limbs<\/em>,<\/p>\n<p>and in his head there lies<br \/>\na medical textbook-sized  <\/p>\n<p>cache of concealed pics, as tightly sealed<br \/>\nas the lips of a sonographer,<\/p>\n<p>who can\u2019t speak about what she sees<br \/>\non the screen, must defer <\/p>\n<p>to the doctor, though the scan<br \/>\nmay reveal a distinct lack<\/p>\n<p>of motion. Which at first, it did.<br \/>\nUntil his niece\u2019s fingers began pointing,<\/p>\n<p>waving to a world she doesn\u2019t know<br \/>\nexists\u2014and now something relentlessly <\/p>\n<p>afraid of inertia rises up in him<br \/>\nas the drone circles back to Panjshir province, <\/p>\n<p>and the cam re-sets and blanks into<br \/>\na liquid landscape\u2014<\/p>\n<p>and he closes he eyes<br \/>\ninto the blackened kaleidoscope of his sister\u2019s baby\u2014<\/p>\n<p>and somewhere in that debris, in that dust\u2014<br \/>\nas the static clears, a moment<\/p>\n<p>is birthed. Enough.<br \/>\nThe word <em>enough<\/em>.<\/p>\n<h1>Monkeys<\/h1>\n<p>A sour reek of jockstraps rises<br \/>\naround the Double-A team at airport security,<br \/>\nand I smile at the young men\u2019s<br \/>\ncamaraderie, their easy<\/p>\n<p>muted laughter, which stand them<br \/>\napart as a small country that believes in itself.<br \/>\nOne guy grabs another\u2019s cap\u2014<br \/>\n<em>My bloody lucky toque!<\/em>\u2014clean off<\/p>\n<p>his shaved head and wigs it<br \/>\nup and away into the cavernous<br \/>\nairport firmament to tribal cheers, and I think of<br \/>\nWorld War One and how bored the men were <\/p>\n<p>and how one wrote in a letter,<br \/>\n<em>I\u2019m looking for anything to happen<\/em>; and how sometimes<br \/>\nI\u2019m looking for anything to happen\u2014yearning<br \/>\nto risk my life,<\/p>\n<p>or just take a puck for<br \/>\nno other reason than perhaps Brotherhood.<br \/>\nAs they yip and pitch the cap back and forth<br \/>\nI recall P.K. Subban leading <\/p>\n<p>the pre-game practice of the Montreal Canadiens<br \/>\nin Buffalo, cannoning the puck at near-<br \/>\nimpossible angles into the net, an ecstatic<br \/>\ngeometry. When all at once <\/p>\n<p>a frequent flier in a tall suit,<br \/>\nsleek trench-coat draped over his arm,<br \/>\nleans in, comradely, motions<br \/>\nto the two black women at the security desk<\/p>\n<p>and says, <em>Look at those monkeys! <\/em><br \/>\nAnd I feel something like a reversal<br \/>\nof falling in love. My body<br \/>\nsuddenly skinnier, <\/p>\n<p>fumblier, rubber-<br \/>\nchicken-like among<br \/>\nthe assembled Adonises,<br \/>\nwhere even an eyebrow raised<\/p>\n<p>\u2014even saying nothing\u2014<br \/>\nwill name me conspirator\u2014<br \/>\nand I hear myself say, <em>Monkeys?<\/em><br \/>\nMy voice small. Does he even hear it? <\/p>\n<p>The cap flicking past.<br \/>\n<em>Monkeys?<\/em><br \/>\nHe jerks back. Someone up the row<br \/>\nmoves. And one at a time<\/p>\n<p>each of us inch our suitcases and bags,<br \/>\n\u2014our human cargo<br \/>\nof eye-masks, pajamas, Cialis, sleeping pills\u2014<br \/>\ntoward the two women<\/p>\n<p>in front of the X-ray machines,<br \/>\none now frowning down over an open laptop,<br \/>\nher gold hoop earrings<br \/>\nlike rogue Olympic rings,<\/p>\n<p>and she looks up toward us,<br \/>\ntells us to lift our cases to the rack<br \/>\n\u2014leave any liquids and aerosols,<br \/>\nor sharp objects\u2014and come forward.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>DEGAN DAVIS<\/strong>&#8216; poetry and non-fiction have appeared in <em>The Globe And Mail<\/em>, <em>The Malahat Review<\/em>, <em>Riddle Fence<\/em>, and <em>The New Quarterly<\/em>. <em>What Kind Of Man Are You<\/em>, his first book, is forthcoming from BRICK in 2018. He is currently working on a collection of essays about masculinity, femininity, and how to be a good man in this era.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edward Snowden watches the corner of his monitor and the opaque square in the top right flickers, a live stamp of inky blackness that reminds him of the ultrasound video \u2014good god\u2014of his sister\u2019s\u2026that cone of dark, the sudden milky&hellip; <a href=\"https:\/\/sewerlid.com\/index.php\/2018\/01\/14\/two-poems-by-degan-davis\/\" class=\"more-link\">Continue Reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,9],"tags":[],"_links":{"self":[{"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/posts\/767"}],"collection":[{"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/comments?post=767"}],"version-history":[{"count":2,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/posts\/767\/revisions"}],"predecessor-version":[{"id":769,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/posts\/767\/revisions\/769"}],"wp:attachment":[{"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/media?parent=767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/categories?post=767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sewerlid.com\/index.php\/wp-json\/wp\/v2\/tags?post=767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}